During the height of the Whitechapel murders in London in 1891 police found an item of graffito on a wall. This became known as the Goulston Street graffito.
The graffito was immediately removed because of its inflammatory nature.
The wording of the graffito was, however, recorded, although the exact form is disputed.
The Juwes are not the men to be blamed for nothing
The East End already had a large immigrant population and the police did not want to stir up interracial aggravation.
Now, following the success of Quentin Tarantino’s ‘Inglourious Basterds’, bad spelling is back in fashion for film titles.
A private film company, rumoured to be financed by George Soros, is in the process of making an explosive new film whose title is this very same graffito.
“The Juwes are not the Men to Be Blamed for Nothing” will be directed by renowned British film director Peter Kosminsky whose recent Channel 4 “The Promise” was such a successful and polished anti-Zionist polemic.
The story is based on a Ph.D thesis written by Dr Saif Gaddafi whose brilliant research has revealed that Jack the Ripper was none other than Theodor Herzl, founder of modern Zionism and the notion of Jewish statehood.
According to Dr Gaddafi, during a recent interview via a conference link at the London School of Economics, chaired by Channel 4 News anchor Jon Snow, Saif Gaddafi explained that Herzl was a deranged psychopath who was harvesting organs and sending them to Palestine where the Jewish state in-the-making was using them for medical research.
“This demonstrates that the Zionist state was founded by and continues to be run by murderers After leaving London, Herzl arrived in France where he met the Jew, Émile Zola, and between the two of them they stirred up pro-Zionist sympathies after the Dreyfus Affair”.
Snow expressed surprised that Zola was a Jew, but Gaddafi assured him that it could not be otherwise.
John Galliano has been earmarked to make the costumes for the drama. Speaking from a holding cell in a police station in the Marais district of Paris, Galliano said:
I am proud to be associated with a film that the great Adolf Hitler would have endorsed. I can’t wait to share a drink with Mel Gibson and create a marvellous fin de siècle costume for the Herzl role.
Meanwhile, on the film set, Gibson was settling into the role of Herzl in the company of Charlie Sheen who will be playing Zola.
“How comes no-one knew that Zola’s real name was Ephraim Zweig?” asked Sheen. But Gibson shrugged his shoulders and was seen quizzing Kosminsky about how he could get a flagellation scene into the Whitechapel sequences.
Kosminsky was recently asked why he had taken on such a controversial project which many viewed as being a somewhat one-sided analysis of early Zionism.
“I have made extensive research into the subject”, said Kosminsky, “and I have impeccable Palestinian sources which confirm that it is all true. Saif Gaddafi is also a well-known scholar and highly regarded. We have tried to show the other side for the sake of even-handedness by a 30 second sequence borrowed from the film Papillon which shows the suffering of Dreyfus on Devil’s Island.”
Jewish groups have voiced dismay that such a film could ever be made. In Egypt, however, the film project has already received rave reviews even though no-one has seen the full script.
Julian Assange is threatening to release documents held for more than one hundred years at the Metropolitan Police HQ about the Ripper case. “Clearly, there has been a Jewish conspiracy to suppress this information for such a long time and it is essential that the public know exactly what the Jews have been up to for all these years.”
Dark clouds may be gathering for the film-makers, however. David Irving is reported to have filed a $100 million lawsuit against Dr Saif Gaddafi for plagiarism.
A statement by Kosminsky and all those involved in the enterprise expresses their love of, and their unshakable belief in the right of the Jewish people to self-determination in their ancestral land.